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Twenty years ago this spring, on March 30, 1981, President Ronald Reagan was shot by a young man named John W. The time was 2:30 p.m. As the president’s national security. President Ronald Reagan has been shot and wounded after a lone gunman opened fire in Washington. He is currently undergoing emergency surgery at George Washington University Hospital but there are unconfirmed reports he walked. Thursday marks the 25th anniversary of John Hinckley's attempt to assassinate President Ronald Reagan. Hinckley seriously wounded Mr. Reagan and permanently crippled his White House press secretary, James Brady. Rating is available when the video has been rented. A clip from the film The Day Reagan Was Shot. Notes On the Day Reagan Was Shot- -A Timetable to Power? What is going on in an administration when a Cabinet member cannot see the President himself alone? Why would an administration that was truly being run by a president be run in that fashion. Former Treasury Secretary Donald Regan recounts just such a problem in his book For The Record: From Wall Street To Washington (New York: St. Martin's, 1. 98. 8, 1. From first day to last at Treasury, I was flying by the seat of my pants. The President never told me what he believed or what he wanted to accomplish in the field of economics. I had to figure these things out like any other American, by studying his speeches and reading the newspapers. At first it was difficult to believe that such a management policy cold be intentional. His efforts in this area, I've learned, were gargantuan and Machiavellian. Some of the material here may be a bit repetitive (some of it appears in \ldblquote Alexander Haig and the First Edition of The Immaculate Deception in the present book), but it probably bears repeating and the reader may want to reflect on its implications.<. Tarpley and Chaitkin describe the nature of Bush's plans in detail, pointing out. These were the official, secret structures of the U. S. Nothing of this is to be found in the U. S. All of these structures revolved around a secret command role of the then vice- president, Bush . March 2. 5, l. 98l, Vice- President George Bush named to lead the U. S.'Crisis Management Staff' as part of the National Security Council System. March 3. 0, l. 98. President Reagan shot. May l. 4, l. 98. 2, Bush' s position as chief of all covert action and defacto head of U. S. But Tarpley and Chaitkin note that this role had been assumed much earlier- -that the Cabinet had internally approved the . Looking at the events that actually occurred on the day of the shooting. Five hours after Reagan was shot, Bush led a Cabinet meeting which decided 'officially' (though it is clear there was a internal debate led primarily by Alexander Haig- -whose subsequent behavior is best explained by the extreme nature of the . This, even though the official police investigation was not even started, much less completed at this time. In short, the Cabinet was clearly pressured by Bush to come to this conclusion. Hinckley was arrested by airport authorities in Nashville. Reagan had been in Nashville on Oct. Carter arrived there on Oct. Jodie Foster had indeed received a series of letters and notes from Hinckley, which she had passed on to her college dean. The dean allegedly gave the letters to the New Haven police, who supposedly gave them to the FBI. Hinckley had been buying guns in various locations across the U. S. Hinckley's parents' memoirs refer to some notes penciled by. Hinckley which were found during a search of his cell and which . No explanation was offered of how it was determined that Hinckley acted alone . According to a wire service account, 'The file made no mention of papers seized from Hinckley's prison cell at Butner, N. C., which reportedly made reference to a conspiracy. Those writings were ruled inadmissible by the trial judge and never made public.' The FBI has refused to release 2. Hinckley. He was remanded to St. Elizabeth Mental Hospital where he remains to this day, with no fixed term of service . Hinckley , sr., the gunman's father, to the U. S. Ainsworth's pedigree is impressive: he was a foreign area analyst for the State Department, an advisor during Vietnam, and chaired an international committee . The largest contributor to World Vision is the U. S. Agency for International Development. One bullet struck the President in the chest. Another inflicted a head wound on his press secretary, James S. Mc. Carthy, a Secret Service agent, was shot in the abdomen when he placed his body between the President and his assailant. A Washington police officer, Thomas K. Delahanty, was also wounded. Speaking in a whisper, he told me that shots had been fired at the President.. Adams told me that the President was being taken to George Washington Hospital. There were other wounded. I asked if the Secret Service knew who did the shooting. Adams had no information about that as yet.. On the way inside Adams told me for the first time that the President had been wounded. I immediately wen to Jim Baker's office. Most of the senior staff of the White House were gathered in Baker's office. Allen, the National Security Advisor. Haig agreed, so down we went. No formal orders or procedures were established. Questions were raised regarding executive authority, the 'football' . Haig put in a call to the Vice- President. They gave me the first information the Situation Room got on the assailant . This proved difficult. It was a German- made, Florida- assembled . Saturday night special. It had been sold to Hinckley by a Dallas pawnshop. The bullets were long- nose . I was told that the President's wound was probably from a ricochet. During the earlier moments, when the room was full of hustle and bustle, reports on the President's condition were fragmentary.. Weinberger reported he had stepped up the alert status of strategic forces.. Haig was quick to question this, asking very sharp and demanding questions. Weinberger remained calm but, judging by his tone of voice, was very annoyed at Haig's questioning his actions.. There were cries of 'Get that guy off!' and 'Why is he saying that?' and 'Who authorized that?' . He jumped up and left the room. Dick Allen slipped out of another door. A few moments later the rest of us saw Haig, with Allen at his side, on TV from the Whtie House press room, saying he was in charge, and so forth.* (*Folklore and my own memory notwithstanding, Haig never said that he was 'in charge.' His actual words were, 'As of now I am in control here, in the White House, pending return of the Vice- President and in close touch with him. If something came up, I would check with him, of course.'? Is he mad?' Weinberger said, 'I can't believe this. He's wrong; he doesn't have any such authority.' No one else commented except Casey, who said, . He asked me how it had happened. I said I couldn't account for it; I guess Al took it on himself. Haig talked to him; so did I. Murphy sent him coded messages when we found that we were not on a secure line when talking to Air Force Two. Weinberger chided Haig for what he called his misstatements on TV as to who was in charge. Haig told him to check his Constitution. Cap replied that he knew that in the absence of the President \i he \i. We Cabinet members had never been instructed on the chain of command under various circumstances, and as we had not been brought into NSC meetings, we knew nothing of battle plans and so on. At the end of the message describing the President's condition, someone had added the words, 'Brady died.' I announced this sad news to a stunned group. Allen asked for a moment of silent prayer. Apparently someone relayed this information to the group at the hospital and we got word back that it was not true. I ordered them to check and double- check. Meanwhile TV broke the same erroneous story- -only to have to retract it later. The Vice President arrived with Ed Meese . George asked for a condition report . It was determined that all Cabinet members had such clearance. I checked with the Vice President and Jim Baker, and it was decided that it would be a good idea for me to appear in order to show that all was calm. If the financial markets needed soothing, I could do that. Even less did the men gathered in the Situation Room know what action they were authorized to take or expected to take. But the Administration had been in place for only seventy days. These men were new to their jobs and new to each other. They performed remarkably well under the circumstances. After the fact, we learned that the threat to the President's survival had been far graver than we realized . Mc. Carthy with Philip W. Smith (New York: Dell, 1. Hinckley, Jr., started shooting at the President. The section's primary duty is to keep tabs on potential threats to the President and other senior government officials. It is an important job within the service, but not usually a particularly exciting one. Mostly it consists of conducting background checks and following up on bits and pieces of information on individuals who could pose a threat to anyone the Secret Service is protecting. My partner for the day was a young black agent named Danny Spriggs, who, after a promising college football career, had been drafted as a defensive back by the Dallas Cowboys before he joined the Secret Service. We would be the PI (Protective Intelligence) team for President Reagan's speech that day at the Washington Hilton. Normally there would have been a second, two- man team working with us, but due to illness and other demands on the office that day there were no other agents available to form a second team. The Secret Service's Office of Protective Intelligence uses computers to keep tabs on approximately 4. President. Of these, about 3. Senior Secret Service officials said that the FBI had never informed the service of this arrest. Stuart Knight later told a congressional investigating committee. But for whatever reason, Hinckley wasn't on the list of people considered potentially dangerous to the President when I made my check just three hours before he shot Reagan. Danny and I were standing to either side of the ballroom's main entrance to observe as many people as we could when they came in. Since someone could walk around it into the driveway, I went to that side of the crowd and positioned myself in line with the cameras, facing away from the doors through which the President would walk in a minute or two. It would be difficult for anyone to get through the camera crews and across the rope, but if someone tried to rush out of the crowd, I could quickly move across in front of the cameramen to stop him. The Day Reagan Was Shot. Twenty years ago this spring, on March 3. President Ronald Reagan was shot by a young man named John W. The time was 2: 3. As the President's national- security adviser, I was informed of the shooting almost at once and went immediately to the White House. A crowd of shocked but curious White House staff members had gathered in the office of James A. Baker, Reagan's chief of staff. Baker himself was at the hospital, along with the White House counselor Edwin Meese. Secretary of State Alexander Haig arrived at the White House shortly after I did. I asked Haig, Treasury Secretary Donald T. Regan, the White House counsel Fred F. Fielding, the domestic adviser Martin Anderson, and David Gergen, a member of the White House staff, to accompany me to the Situation Room, located in the basement of the White House, secure behind electronic locks and guarded by uniformed Secret Service agents. That would prevent superfluous staffers from barging into the meeting, limit leaks, and effectively activate . The group was soon joined by Secretary of Defense Caspar W. Weinberger; Attorney General William French Smith; Transportation Secretary Drew Lewis; Richard Darman, a presidential deputy assistant; and Admiral Daniel Murphy, the Vice President's chief of staff. At about 3: 3. 0 Meese called from the hospital. We had virtually no information about the assailant or his motives, or about whether he had acted alone. Vice President Bush was in the air over Texas. The first assessments by the Pentagon revealed that more Soviet submarines than usual were off the East Coast. By tradition, and to encourage complete candor in the most- secret discussions and exchanges, there are no tape recorders allowed in the Situation Room's conference area. On this occasion, however, I considered a recording to be absolutely essential in order to preserve an indisputable record. I instructed my top assistant, Janet Colson, to bring my personal tape recorder to the conference room. The tape recorder was placed in the center of the table, in plain view of all participants. There was no surreptitious taping of this event, and no one objected. Following are selections from some of these tapes. They are being made public for the first time, twenty years after the event. Strategic Command (formerly the Strategic Air Command) and forces in Korea, whose normal condition is 4. After discussion about the location of the . We have a duplicate one here. HAIG: Get the football over here. ALLEN: There is one at the military aide's office. The football is in the closet .. I don't think we need the Chair of the Joint Chiefs over here, do you? Let's leave him over at the NMCC . This is a draft statement, but I want to put something else in it. FIELDING: Do you want any other Cabinet members? ALLEN: No, they should all be told to stand by. Here's the copy of that draft statement . You don't want the Chairman of the Joint Chiefs over here? WEINBERGER: Well, I want .. The conversation moved on for a time to Hinckley and to the condition of the press secretary, Jim Brady, badly wounded in the shooting. I'll have to testify on this, so we better get something started on hand- gun control. So anything that is said, before it's said, we'll discuss at this table .. And we discuss it and know what's going on. WEINBERGER: I have the Chairman of the Joint Chiefs coming on, Jones, in just a second. We're going to tell him to get alerts to the Strategic Air Command and such other units that seem to him to be desirable at this point. HAIG: What kind of alert, Cap? WEINBERGER: It's a standby alert .. Not here. HAIG: Right. DARMAN: Is that information not to be released up till .. ALLEN: It'll leak .. WEINBERGER: Well, until we know more about it. The alert, they'll probably put themselves on alert, but I just want to be sure. HAIG: Do we have a football here? Do we? ALLEN: Right there. REGAN: Al! Be careful! HAIG: Absolutely! That's why I toned down the message that was going out .. MURPHY: We've been down this path once before with Henry . The alert simply is that there are conditions which may require very quick actions. MURPHY: Are you sure that doesn't mean Defcon Three .. It's a matter of being ready for some later call .. HAIG: Yeah, I think the important thing, fellows, is that these things always generate a lot of dope stories, and everybody is running around telling everybody everything that they can get out of their gut .. The President, uh, as long as he is conscious and can function .. WEINBERGER: Well, that's right .. Needless to say, issues of legal authority were on everyone's mind. FIELDING: A rather technical thing is that the President can pass the baton temporarily under the law, and we're preparing that right now .. What are the legal .. FIELDING: It's being prepared right now. HAIG: That's the pass the baton to the Vice President .. FIELDING: On a temporary basis. It passes to him in writing from the President until the President rescinds it. HAIG: Has somebody gone into the Eisenhower precedent on this? I think we need that from a public- relations point of view. FIELDING: Well, we may not want to put it out. HAIG: No, the things you want to make note of are first, precisely what happened, notification of the Vice President, assembly of the key crisis Cabinet, preservation of continuity of command, and that it was handled. WEINBERGER (on the telephone to the Pentagon): No, I think what we want to do is increase the degree of alertness so that in the event there should be anything required shortly, that could be done within a minimum amount of time .. Gergen interrupted to ask a question, and Haig declared that he himself was constitutionally the person in charge. GERGEN: Al, a quick question. We need some sense, more better sense of where the President is. Is he under sedation now? HAIG: He's not on the operating table. GERGEN: He is on the operating table! HAIG: So the .. And that means right in this chair for now, constitutionally, until the Vice President gets here. GERGEN: I understand that. I understand that. HAIG: Yeah. The other Cabinet members and senior staff knew better. But Haig's demeanor signaled that he might be ready for a quarrel, and there was no point in provoking one. In any event Weinberger had the military command authority. WEINBERGER: We've got the Chairman of the Joint Chiefs and the Joint Chiefs in the Military Command Center. The alert has been raised from a normal condition to a standby condition under which they can move to a much higher degree very quickly. There is no, there will be no publicity about it. And the degree of alertness at the moment is going to commanders only, so that there would not be a lot of leaks right away from the men. All of that on the basis that at this point it looks like an isolated incident, but there isn't enough information and we want to remain alert. So that's where the armed forces stand. At this point I moved a few feet from the Situation Room conference area to the adjacent communications center to speak on a secure telephone line with Meese, at the hospital. I brought the tape recorder with me. During those few minutes deputy press secretary Larry Speakes answered questions from the White House press corps. Asked who was running the government, Speakes responded, . Because I had been on the phone, I was unaware of what Speakes had said. HAIG: Why don't you come with me? Allen (to staff): Okay, I'll be back later .. HAIG: How do you get to the press room? ALLEN: Up here. HAIG: Yeah .. Speakes .. ALLEN: Did he walk in up here? HAIG: He's up there now. ALLEN: Christ almighty, why's he doing that? PRESS STAFFER: They want to know who's running the government. ALLEN: Oh, well, just a minute .. HAIG: We'll assemble them .. The Secretary of State! The Secretary of State! There was chaos in the press room. Speakes stood there, frazzled and slightly dazed, sensing that his remarks had caused a problem. Haig went directly to the rostrum. Until that moment he had been intensely focused on the crisis and had been steady, although testy and combative. Now I could see his knuckles turn white as he grasped the lectern; his arms shook and his knees began to wobble. I moved closer, thinking he might lose his balance or fall. Fortunately, the lectern shielded these involuntary body movements. Haig began his now famous presentation by describing actions we had taken in the Situation Room, adding mistakenly that . Who is making the decisions? HAIG: Constitutionally, gentlemen, you have the President, the Vice President, and the Secretary of State, in that order, and should the President decide he wants to transfer the helm to the Vice President, he will do so. As of now, I am in control here, in the White House, pending the return of the Vice President and in close touch with him. If something came up, I would check with him, of course. Personal footnote: In his book Caveat (1. Haig created a scenario in which I provided the rationale for his lunge to the press- room lectern: . He had not been part of our group. He had no current information. It was essential to reassure the country and the world that we had an effective government. As noted, I was not in the conference area, where Speakes's briefing could be heard, and as we arrived in the press room, I still did not know precisely what Speakes had said to cause Haig's alarm. The conversation took on a sharp and combative tone as the impact of Haig's impromptu press conference began to sink in. REGAN: Preliminary investigation by the FBI and the Secret Service, no plot, no reason why the suspect shouldn't be in the area. They're conducting a background investigation in Lubbock, Texas. He stayed at the Park Central Hotel here, which is one block from the Executive Office Building. WEINBERGER: We have the SAC bases .. The nearest submarine is . Al, are you listening? Not enough to worry about. They're in and out there all the time, but it is a close approach. The Gods Must Be Crazy II (1989) AKA titles. 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Scotty Moore - NBC TV Studio Burbank. NBC Studios. Burbank, CANBC Color Television Studios on West Alameda in Burbank - ca. Photo by Frank Thomas. In June of 1. 95. Elvis, Scotty, Bill and DJ made their second appearance on the. Milton Berle Show, only this time at NBC’s original West Coast facility in Hollywood. The night the once and future king came back. Percentage of users who rate a movie or TV show positively. What's the Tomatometer? Audience Reviews for Singer Presents Elvis - Outtakes From 1968. Some of the songs in this program were aired in his TV. Singer Presents Elvis - Outtakes From 1968 Special Features Elvis in an informal setting as he recalls. AMERICAN TV producer Steve Binder says Elvis Presley died a “saloon singer in Las Vegas”. Binder became friends with the legendary rocker when he helmed the Elvis. It was located at the corner of Sunset and Vine across the street from. Wallich’s Music City. Austin in 1. 93. 8, it was initially built for radio and called Radio City but by 1. NBC Studios on West Alameda Ave. NBC executive Bob Finkel was keen to find a producer/director to work on Singer Presents Elvis. Finkel had heard about the controversy of the Clark special, and. Elvis (1968 TV Movie) Release Info. Singer Presents Elvis: World-wide (English title) (promotional title) Elvis: '68 Comeback Special. In observance of Elvis Week and to honor the life of Elvis Presley, this is Part 4 of a countdown of his greatest songs. Elvis Presley Timeline. Releases the album Singer Presents Elvis Singing Flaming Star and Others. 1968: Releases Elvis - NBC - TV Special. Photo courtesy Wes. As the production and popularity of television increased the facilities at Radio City became too small for NBC’s operations prompting its parent company, RCA, to build a television studio from the ground up. It was originally an old riverbed wash and part of Warner Brothers Studio's exterior backlot, though used infrequently. Nicknamed NBC Color City, it was the first major color television studio in the country to be built from the ground up. NBC Color City television center on West Alameda. Ave. 1. 0, 1. 95. The Austin Company, courtesy Wes. Interior of Studio 2 under construction just six months from it's. The Austin Company, courtesy Wes. Clark. Corridor leading to Studio 2 on left. The Austin Company, courtesy Wes. Clark. Aerial view of the $7,0. NBC Color City television. West Alameda Ave. In April of 1. 95. Burbank, Studio 2, which NBC promoted as the “first studio to be built exclusively for color broadcasting. The facility was officially dedicated on March 2. Entertainment, 1. NBC Color City on Alameda Ave. Photo courtesy Nick. Faitos. Bob Newhart Show at NBC Burbank - 1. Photos courtesy. Eyes of a Generation. Not long after NBC announced plans to build Studio 4 in time for the 1. It was identical to Studio 2. At 1. 39 feet long, 8. They were primarily reserved for color specials, and later for music and variety series television productions such as Milton Berle, Jerry Lewis, Dean Martin, Eddie Fisher, Dinah Shore, Andy Williams. Wheel of Fortune, Bing Crosby, Frank Sinatra, Mitzi Gaynor, Danny Kaye. Fun Factory, Days of Our Lives, Lux Video Theatre. Bright Promise, Return to Peyton Place and others. NBC's Color City in Burbank now with Studio 4 built and. KNBC- TV located there - ca. Photo courtesy Wes. Clark. The Andy Williams show at NBC Studio 4 in Burbank - . Photo courtesy. Eyes of a Generation. In November 1. 96. KNBC moved to the new facility from the Sunset and Vine location in Hollywood changing its call letters from KRCA in the process and the Hollywood property was sold and demolished by 1. RCA- NBC did however purchase property one block west of there to keep its FCA license intact and to use as recording studios and offices. Nation Broadcasting Company Studios Burbank, CA - 1. Postcard Photo by Ellis- Sawyer. In 1. 96. 1 there were talks to record and broadcast the USS Arizona Memorial Benefit concert in Hawaii on NBC and as early as 1. Colonel Parker had been negotiating with NBC’s Tom Sarnoff to finance and premier a motion picture with Elvis domestically. In October of 1. 96. Colonel proposed to Sarnoff the idea for a Christmas special which would be Elvis’ first television appearance since Sinatra’s. Welcome Home Elvis special in 1. According to Peter Guralnick, Elvis, by now growing discontent, was not happy about singing a bunch of Christmas Carols on national TV and viewed it as a just scheme to get another Christmas album. Ad for the 1. 96. NBC- TV special: Singer presents Elvis. Photo courtesy e. Bay. Bob Finkel was the executive producer who had put the NBC package together which was sponsored by the Singer sewing company, and who ultimately had swayed the sponsor, network and the Colonel from the idea of simply putting Elvis on a stage to sing Christmas songs for an hour. The stipulation was however that it essentially be a “one- man show” (no other contemporaries) and RCA get a soundtrack and Christmas single out of it. Meeting with Elvis in May of 1. Elvis wanted this show to depart completely from the pattern of his motion pictures and from everything else he has done, wanted everyone to know what he could do and was not interested in what Colonel Parker had to say about this show. Finkel decided on Steve Binder and his partner Bones Howe as producers. Production moved into NBC on June 1. Scotty and D. J. The idea was to prerecord everything except the two live performances (the Concert and the informal segment with Scotty and. DJ). Recording started up on the evening of the twentieth at Western Recorders at 6. Sunset. Blvd. Session musicians, including Al Casey. Hagstrom guitar would be noticed by Binder and. Elvis in segments of the show. While in town, Scotty and DJ had gone to dinner at Elvis' house after. Scotty thought it was unusual that Elvis wanted to talk to them in private. He usually felt free to talk in front of his bodyguards. When they were alone, Elvis asked if they would be interested in doing a European tour with him. I said, yeah, and if we are going to do the European tour let me know ahead of time so I can get someone to fill in for me. He asked me what would be the chances of us going into the studio and just locking the doors for a couple of weeks to see what we could come up with. I told him sure, to just let me know when. He didn’t say what was on his mind. I know he was tired of the movie songs. He might have wanted to go back to where we were in the early years. Knowing his mindset at that point in time, it gave me renewed hope. He just wanted to try something without somebody saying, . He felt that unscripted Elvis. Scotty, DJ and the others performing. Essentially just winging it. On stage were Elvis with his 1. J2. 00, and entourage members Charlie Hodge with his Gibson L4 and. Alan Fortas with a classical guitar prop used in the special and/or a. DJ played. percussion on an empty guitar case and Scotty was the only one onstage. Super 4. 00. Lance Le. Gault, Elvis, Charlie Hodge, Scotty, Alan Fortas. DJ on stage in Studio 4 - June 2. Photo courtesy Doug Ferich. Since they were told they'd be sitting Scotty said he didn't put straps. Elvis' acoustic. 4. He knew how meticulous Scotty was about his guitar. Elvis was a flogger and I knew he was afraid he’d scar up the guitar. During the. show(s), Elvis decided to stand to play, adlibbing. According to Guralnick, Binder said that distribution of tickets was left to the Colonel though early. NBC had announced an upcoming special in TV Guide and some fans had requested and received tickets through the mail. Only. about 5. 0 of these were rumored to have been given out though and according to. Binder there was a last minute scramble to find people to attend. As in the. '5. 0s, the Colonel then proceeded to bring the most adoring female fans. Parts from each of these segments were later mixed with the other production numbers used for the special and which basically was a review of his career to date through performing and the movies all set to the theme of the song. Guitar Man.”Elvis with Al Casey's 1. Hagstrom Viking II (with the . His recent TV special was a testimony to the vitality of his original style. How many rock stars of today might be able, ten years from now, to do an hour of the songs of 1. Presley at his best is about as eternal as rock and roll can ever expect to. Elvis in concert on stage in Studio 4 - June 2. Photo courtesy 6. Retrospective, source. Landau's observations though were short lived and change was right around the corner. The European tour obviously never happened, and likewise neither did they ever lock themselves away in Scotty’s studio. In fact recording the special that June was the last time that Scotty and Elvis ever saw each other. Elvis with Al Casey's 1. Hagstrom Viking II in Studio 4 - June 3. Photos courtesy 6. Retrospective, source. FECC Motivated by its success Elvis returned to Memphis to record a new album, outside of the norm and routine production and material that had become stagnant. At American Sound Chips Moman had a proven hit making team and was not going to change. In 1. 96. 9 with his movie commitments all but up Elvis returned to live performing, but he did so with a new band and Scotty decided to hang up his guitar and focus on his studio and engineering. NBC Studios in Burbank - ca. Photo courtesy Kinescope. HDThe Burbank studios would host many of the best- remembered game and variety shows through the 1. In 1. 97. 2 Johnny Carson moved. The Tonight Show to NBC's Burbank Studios from New York where it stayed until 2. Jay Leno, was briefly replaced by Conan O’Brien. It returned when Jay did. However, space. was leased at the Burbank site until May of 2. Outside Studio 2 at NBC in Burbank - 2. Photo . The last nationally televised show to be broadcast from the NBC Burbank Studios was the MSNBC show on March 1. The facility is now called The Burbank Studios. NBC Studios at 3. W. Alameda Ave in Burbank, CA - Feb. Times February 0. Site of the Week 2/1. Last Days of NBC Burbank. Scott Fybush, courtesy North. East Radio Watch. The Night Elvis Reclaimed His Crown. Spotlight by - Robert Lloyd, LA Times. Fifteen years earlier, he had walked into Sun Studios in Memphis to make a record as a present for his mother, or so the story goes, and changed history. He regains his voice - - and in so doing becomes at once who he was and who he'll become. His singing has the lilt of youth but with a mature edge. He is 3. 3 years old, lean and chiselled and - - what he had not seemed in years - - a little dangerous. Fifteen years earlier, he had walked into Sun Studios in Memphis to make a record as a present for his mother, or so the story goes, and changed history. They have their charms, but by and large they show an Elvis domesticated, marginalized and to all appearances barely interested in music. Paley Television Festival, which this year moves to the LA Cinerama Dome. The special begins in darkness, to the sound of a whomping, Muddy Waters- ish blues riff, and then a famous face fades in, turning toward the camera, filling the screen, meaning business. If you're looking for trouble. You came to the right place. If you're looking for trouble. Just look right in my face. I was born standing up. And talking back. My daddy was a green- eyed mountain jack I don't know what a . But he disappeared from the small screen in the 1. He was an actor in musical pictures, but less obviously a musician and more and more remote a figure. But television is a medium of the here and now, and for Elvis to step back into the small screen was for him to engage the world in an intimate and immediate way. He regains his voice - - and in so doing becomes at once who he was and who he'll become. His singing has the lilt of youth but with a mature edge. He is 3. 3 years old, lean and chiseled and - - what he had not seemed in years - - a little dangerous. The show is specifically designed to take him back to his roots. In a sequence that would now be called . Fontana, who came along not long after, keeping time on a guitar case; and some of his Memphis pals. Dressed head to toe in black leather, with a big, head- framing collar costume designer Bill Belew based on paintings of Napoleon, Elvis sweats real sweat as he sings the old songs with new energy. It is not all equally a revelation. There are two extensive, heavily choreographed production numbers, energetic but amusingly dated; Elvis, who has marks to hit and pre- recorded vocals to lip sync, is relatively contained. The first is a gospel medley, the second a picaresque adventure built around Johnny Reed's . Dressed all in white, planted before his name in lights 4. It is, for all the planning that went into it, as raw and real as any performance I've ever seen. It's the beginning of the last phase of Presley's career: He would make his return to live performance in Las Vegas the following July. If much of what followed look like decline, it was also an apotheosis. He had nine years to live. Spotlight by Robert Lloyd, Los Angeles Times Staff Writer. 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